When last we met, I had just pulled my Bernina 790 out of hibernation only to find it did not fit my Koala sewing cabinet and so I had to order a new insert. Check, check and check. Who says I’m not getting sh*t done?
New Bernina safely back in hiding so that I could teach my Improvisational Stitching Workshop.
I know all of you want to know how Pat Pauly’s Take 2 virtual workshop went and I won’t leave you hanging. It was all that I’d hoped for and more. Just fabulous. Of course now I’m trying to talk her into doing another one: Line, Shape & Setting. I think I may have persuaded her, and the minute she adds it to her jam packed schedule I’ll tell all of you so that those of you who might like to sign up for it, can.
In the meantime I’m back to my improvisational stitching, Youtube tutorials, working on my next design, slowly chipping away at my Stitching Book, juggling my other various commitments and oh, yeah, life!
I have photos of what I worked on in Pat’s workshop, but it’s still a work in progress, so I think I’ll wait until I have something I love before I show you. Which means that I’ll have to pull that sewing machine out again or use my smaller, travel Bernina, which isn’t as much fun, but will do the job.
Yesterday as I was doing a livestream for my Patrons over on Patreon, I was talking and stitching away, as I do, and then I had this idea to add a piece of hand dyed t-shirt to the linen piece I’ve been playing around with and ended up loving it! I just love when that happens and it doesn’t happen all the time, so when it does, it’s just thrilling!!
Organisms
It reminds me of organisms that have been put under a microscope. I love that!
I am doing a new 5-day workshop! Improvisational Stitching!
But what does that mean, exactly? Well funny you should ask, because I’ve given it a great deal of thought. Improvisational Stitching is what I call what I do when I begin with a piece of fabric, usually a piece of hand dyed linen, with no preconceived notion of what I’m going to do other than follow the striations in the fabric and begin stitching. I don’t sketch anything out, I just begin stitching.
This is a new piece that I haven’t had time to do much with. Right now it’s just a few stitches, but eventually it will become more.
Over time the piece develops and I begin adding other elements. Sometimes I’ll add other materials, other times that means painting directly onto the fabric and even over the stitching, as I did with my piece, Perseverance.
Do you see how I painted over the green ribbon floss and then covered that area with the hand dyed cheesecloth?
Eventually the piece takes on a life of its own and then it’s up to me to follow as best I can.
Olea began as a 14″ by 16″ piece of olive green hand dyed linen. I started stitching and adding things, like the hand painted t-shirt strips to the left.
Eventually it became this, which I titled, “Olea” but my friend Anna Bates called, “After the Wedding”.
Olea: Hand dyed Linen/Cotton blend with cotton, silk, wool, sheep’s silk threads, ribbon, t-shirt & cheesecloth This is my latest piece that I haven’t even begun stitching on, but will be soon with hand dyed t-shirt, cheesecloth and tulle.
Improvisational Stitching is so much fun! There are no rules, nothing is forbidden, anything goes. I absolutely love it!! Which leads me to the workshop I’m doing: Improvisational Stitching!
Have you ever wanted to create an improvisational piece, but felt too intimidated to start? This is the workshop for you!
We begin with a hand dyed piece of linen, loosely woven cotton or wool. I suggest starting with a piece that isn’t too large – say 14” x 16” or smaller. It can be a square or a rectangle. Choose a color that you love for the background. It can be any color, just make sure you LOVE it! If you want to piece a background together, you can also do that.
This is a “hands on” workshop, in other words, everyone will be working and creating during the workshop with me cheering you on. Using a wide variety of threads, and other materials, we will embellish with no preconceived ideas. I will hold your hand, encourage you to explore and try new things. Each week you will be given a challenge to expand and add to your piece. This is a dive-into-the-deep-end workshop. We will have a blast. All levels of stitchers are welcome. You will not be alone. I will be with you every step of the way.
Workshop Length: 5 Saturdays from 1pm – 4:30pm EDT
I’ve been busy. My Zoom class: Making Waves ~ A Drawstring Bag, which was an eight week “stitch along” is concluding today. We had SO much fun! I cannot show the finished bag in this post, but I will in next week’s post when I will also launch it in my Etsy Shop. Very exciting. Oh, okay, here’s a sneak peak…
Then a couple weeks ago my friend Pat Pauly sent me some amazing hand dyed linens that she did and I was just astounded once again by her artistry. She does such beautiful work! If you have any interest in learning how to paint, stencil and mono print fabric consider taking one of her fabulous workshops. She is a terrific instructor and has a great sense of humor. Her workshops are a blast.
This one I began stitching on. I admit I was a little apprehensive at first because I didn’t want to ruin the beauty of her work, so I just added a few wool shapes and did a tiny bit of stitching in one small area using a 3 wt Soft Cotton. I will continue working on this one and may add one of the above pieces to it. Who knows!?
Oh, and did I mention how much I love Pat Pauly’s silk scarves, which she hand-dyes and sells? I wear one every day. Seriously. That’s not an exaggeration. In the YouTube Video – A Snowy New York City that I posted on Tuesday I’m wearing one and pretty much any other video I’ve posted in the past few months you can see me wearing one of them. I have a few. Okay, in truth, I have SIX. I know, I know. I totally have this under control, I promise. I do. Really.
In the above photo I’m wearing one of Pat’s silk scarves wrapped around three times AND my brand new glasses, which, wow, what a difference!! (I promised my mother a photograph of my new glasses. So here you go, Mom AND you’ll be pleased to know I’m drinking lots and lots of water. I love you.❤️)
Often referred to as a negative, I’ve always thought of obsessions as a lifeline to exploration, creativity, joy and boundless energy. Being obsessed with something (rather than someone) results in any number of truly awe-inspiring things, such as these artists who carve thread spools into amazing miniature works of art.
Or Andrea Love whose website is filled with animations that she creates using felted wool.
How does one work through the fear that inevitably arises when creating if one isn’t obsessed with whatever it is you’re working on? I love creative, obsessive people (and thankfully so does my husband!)
My latest hand stitched piece began as a challenge for myself – Pick a fabric that is on top of the pile and do something with it. And so it began. The fabric that lay before me is a color I find problematic. It’s a kind of pinkish, salmon flesh tone. There’s nothing wrong with the color, it just isn’t a color that speaks to me, particularly. But I had set myself up with a challenge and so I was determined to see where it took me. That was in the beginning of November.
The beginning…
I began playing around, trying different threads and thread weights adding texture in the form of hand dyed cheesecloth, wrapped wooden beads, etc. At one point in a moment of desperation I took some pastels and just painted right over the fabric and the stitching. Gasp! I know. I know. Sometimes taking drastic measures is exactly what’s needed, though.
And slowly, very, very slowly it began to take shape. There were plenty of moments when I thought – well, worse case scenario I’ll just use this piece to demonstrate various things, including what to do when you don’t know what to do or how to proceed!
But I kept at it and eventually began seeing things I liked, as opposed to all the things I didn’t. And once that happened, I began to turn a corner with this piece. However were it not for the fact that I’m obsessed with hand stitching, creating and designing, there’s no way I would have stuck it out. This piece would have been put into a corner and forgotten about. I credit my obsessiveness, dogged determination and perseverance as the reason that didn’t happen.
I’ve been thinking about relationships a lot. Perhaps that’s because I’m coming up on my 20th wedding anniversary with this awesome man. Our relationship has seen its ups and downs, but we are committed to doing the hard work of showing up for each other no matter how painful and difficult that may be. As a result we have entered into, what I think of as, our golden years together. I love this man more today than those first few years when we met and decided to have children together. I am well aware of how fortunate I am, it helps that he is as committed as I am, and is also funny, smart, kind, thoughtful, complicated, a great dad, a great friend and all around amazing human being.
Or maybe I’m thinking about relationships because it’s the holiday season when we typically fly to Colorado to visit my mother and sister, but because of the pandemic are unable to do so or maybe it’s because this year has thrown a couple of relationships into stark relief. I have had to come to terms with the fact that a few were not what I thought and others that have only reaffirmed how wonderful they are. I’m grateful for the lessons I’ve learned from both.
I’ve mentioned before that my husband and I start the morning reading something, usually something philosophical or a meditation of some kind. This morning’s reading began with a quote:
There are two equally dangerous extremes – to shut reason out, and to let nothing else in.
Blaise Pascal
When I’m stitching the magical moments come when things just flow from one idea to the next – easily, magically. But there are other moments when everything I stitch feels wrong. Color is often at issue. If my base color is one that I don’t find particularly appealing, then everything I subsequently do can feel off simply because the base color isn’t one that speaks to me. The trick is finding the magic even then.
As many of you who follow me on Youtube know, I’ve been struggling with my latest improvisational piece. It uses a flesh-colored hand dyed piece of linen as its base, and it’s been problematic for me since I took that first stitch. Still, I’m determined to continue, if for no other reason than as an exercise in working through the myriad issues that are coming up for me. And what I’m learning is that if I’m committed to something, really committed, I am willing to have the difficult conversations, I’m willing to hang in there even when things get problematic, I’m willing to keep showing up. And when I do that, something magical always happens. (Of course if we’re talking about two people then BOTH people have to be willing. It won’t work if only one person is willing and the other isn’t.)
With the piece shown above, this is the magical moment that occurred a few days ago. I don’t know that it’s enough to shift this piece from an exercise, into something that I’m able to fully embrace, but I’m getting there and I’m going to keep showing up for it and see what happens!
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