I’ve been busy. My Zoom class: Making Waves ~ A Drawstring Bag, which was an eight week “stitch along” is concluding today. We had SO much fun! I cannot show the finished bag in this post, but I will in next week’s post when I will also launch it in my Etsy Shop. Very exciting. Oh, okay, here’s a sneak peak…
Then a couple weeks ago my friend Pat Pauly sent me some amazing hand dyed linens that she did and I was just astounded once again by her artistry. She does such beautiful work! If you have any interest in learning how to paint, stencil and mono print fabric consider taking one of her fabulous workshops. She is a terrific instructor and has a great sense of humor. Her workshops are a blast.
Oh, and did I mention how much I love Pat Pauly’s silk scarves, which she hand-dyes and sells? I wear one every day. Seriously. That’s not an exaggeration. In the YouTube Video – A Snowy New York City that I posted on Tuesday I’m wearing one and pretty much any other video I’ve posted in the past few months you can see me wearing one of them. I have a few. Okay, in truth, I have SIX. I know, I know. I totally have this under control, I promise. I do. Really.
In the above photo I’m wearing one of Pat’s silk scarves wrapped around three times AND my brand new glasses, which, wow, what a difference!! (I promised my mother a photograph of my new glasses. So here you go, Mom AND you’ll be pleased to know I’m drinking lots and lots of water. I love you.❤️)
I spent at least 16 hours this weekend analyzing and stitching examples of the Trellis Stitch. Specifically the spiral trellis stitch, which was one of dozens of stitches that adorned the Plimoth Jacket, a women’s waistcoat, made in the early 1600’s.
Another heavily embroidered jacket is in the costume collection at the Metropolitan Museum here in New York City, which I would LOVE to see one day.
While I have done dozens and dozens of Spiral Trellis Stitches over the years, and have used this stitch in a number of my designs, I had never tried to figure out why it was often so difficult to replicate, and to replicate consistently.
So this weekend I decided to do just that. I experimented with a couple of different ways of stitching it, how to best add a new length of thread when your thread, which it inevitably does, runs out, how to consistently get good results when decreasing, stitching in all kinds of different threads and thread weights, and I even tried my hand at stitching a non-circular Trellis, which I will need to do a bit more experimenting with before I am completely satisfied. I had to fill in the center part with French Knots because I couldn’t figure out how to decrease the inside in a way that looked flawless.
I then posted my results to my Youtube Channel: Ariane Zurcher ~ On the Other Hand.
As I am left handed all of this was even more tricky because none of the embroidery books give instructions for the way I finally ended up stitching this beautiful, yet challenging stitch.
If you’d like to laugh and explore stitching (or in my case attempting to) with silk gimp and the thicker gimp that Painter’s Threads hand dyes, this was the live stream I did yesterday. Warning: We laughed A LOT.
My attempts at using the crinkly silk gimp became more comedic than informative… However, I am determined to continue investigating this beautiful, if challenging thread, and what I’m able to do with it. So this is just the beginning. By the way Mary Corbet, who is a fountain of knowledge when it comes to threads, stitching, and everything and anything to do with embroidery, is such a great resource. If you click on her name above, it will take you to her blog. She also has a YouTube Channel, where she demonstrates stitches.
So here’s the thing… I am a designer first and foremost. I love playing with threads and seeing how I can use an unusual thread in a different way. My approach to hand stitching is from a design point of view. When I’m working with a thread, like gimp, whether the crinkly silk gimp or the thicker cord Gimp from Painter’s Threads, I am thinking about color, texture, and how I can use it so that it creates something interesting. As I design, I’m considering size, shape, dimension and how all of that fits into the piece I’m working on.
For my River Rocks Pouch, I used all three of these gimps in different ways. A couple of the shapes on that pouch I added gimp French Knots, which I love.
I’m off to the last remaining quilt shop in New York City in a little while. I’ll be filming it, and will post tomorrow morning. So if you want to come with me on my little adventure, tune into my Youtube Channel Ariane Zurcher ~ On the Other Hand tomorrow. Until then, here’s to exploring and stitching!
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